JOHNNY, THE SEA, AND ME
Smallest in his class and bullied, 10-year-old Pedro is thrilled about the vacation but finds himself wondering if his father’s “business trip” is really a permanent estrangement. Manuela and her son are so close that they can read one another’s expressions, but Pedro, angry that she’s concealed the truth about his father, runs away. Lost and hungry, Pedro is discovered by Johnny Tay, an elderly and irascible island dweller who lets him stay the night in his shanty. Johnny’s parrot, Victoria, allegedly 300 years old, regales Pedro with firsthand accounts of the shipboard adventures of Johnny’s great-grandfather’s great-grandfather, a cook to pirates. During Pedro’s absence, Manuela realizes that her maturing son deserves more candor and freedom. Over breakfast, Johnny says that he’ll help reunite Pedro and Manuela “in good time.” After the two of them go snorkeling and spear-fishing and enjoy a lunch of fresh red snapper, Johnny has begun to repair his motorbike just as Manuela arrives in a police truck. Made up of salient early moments in a boy’s coming of age, this Colombian import contains glints of magical realism and a picaresque, albeit parrot-narrated, pirate subplot. Pedro grows and shrinks according to his emotional state, and Escobar’s wry musings about treasure—is it the purported pirates’ plundered gold, or the island’s magnificent, prolific breadfruit tree?—sparkle like the seven-colored sea. Builes’ pale, delicate illustrations add humorous touches.
